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The term pop has been used since the early forties to refer to popular music in general, but from the 💶 mid-1950s it began to be used for a distinct genre, aimed at a youth market, often characterized as a softer 💶 alternative to rock and roll.[11][1] In the aftermath of the British Invasion, from about 1967, it was increasingly used in 💶 opposition to the term rock, to describe a form that was more commercial, ephemeral and accessible.[12]

Debates [ edit ]

Frith's analysis 💶 of the history of popular music from the 1950s to the 1980s has been criticized by B. J. Moore-Gilbert, who 💶 argues that Frith and other scholars have overemphasized the role of rock in the history of popular music by naming 💶 every new genre using the "rock" suffix. Thus, when a folk-oriented style of music developed in the 1960s, Frith termed 💶 it "folk rock", and the pop-infused styles of the 1970s were called "pop rock". Moore-Gilbert claims that this approach unfairly 💶 puts rock at the apex and makes every other influence become an add-on to the central core of rock.[16]

In Christgau's 💶 Record Guide: Rock Albums of the Seventies (1981), Robert Christgau discussed the term "pop-rock" in the context of popular music's 💶 fragmentation along stylistic lines in the 1970s; he regarded "pop-rock" as a "monolith" that "straddled" all burgeoning movements and subgenres 💶 in the popular and semipopular music marketplace at the time, including singer-songwriter music, art rock, heavy metal, boogie, country rock, 💶 jazz fusion, funk, disco, urban contemporary, and new wave, but not punk rock.[17]

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